![]() ![]() » And everything is of the highest emotional expressiveness, everything is interwoven, also from a stylistic point of view: The most complicated structures arise from the most banal approaches, lovely melody lines develop from themes that sound like an outcry. In short: an incomparable cosmos. The emotional heart of the symphony, which began in 1901, is undoubtedly the aforementioned “Adagietto”, a light, extremely subtle string song – and a tender declaration of love by Gustav Mahler to Alma Schindler, whom he married in March 1902.Santa Fe, NM - Santa Fe Opera General Director Robert K. It was a single movement that became a worldwide hit before the whole symphony was even remotely known and appreciated: the famous “Adagietto” from Mahler’s Fifth. It became unexpectedly popular as the slightly morbid film music in Visconti’s visually stunning Thomas Mann film “Death in Venice”. The entire symphony is now one of Mahler’s most popular works, and that’s no coincidence: “Every note is full of life,” the composer said, and unlike his earlier symphonies, there is no need for singing here either: “Everything is said purely musically. James Gaffigan presents himself with a program between the continents as designated general music director of the Komische Oper Berlin before the audience. Four composers of the 20th century and the present, located between the cultural centers of New York and Berlin: Lukas Foss, who was born in Berlin and knows how to pour the conventions of an American cocktail party into an absurdly comical short opera, Paul Hindemith’s in the USA Metamorphosis, the US-American Samuel Barber, whose first symphony was written in Europe and which still contains the sound of America, and a premiere by the composer Sven Daigger tailor-made for the Komische Oper Berlin – they all have in common that, no matter on which continent, cannot be pigeonholed. New work, commissioned by the Komische Oper Berlin, (world premiere ) Symphonic metamorphosis of themes Carl Maria von Weber’s Introductions and Good-Byes, libretto: Gian Carlo Menotti It will be sung in German with opera titles in English and Spanish The Opera will produce six performances on July 23, 27 August 5, 11, 19 and 23. The work’s unprecedented chromaticism, tonal ambiguity and stunning orchestral color changed every composer who came after, influencing everything from Expressionism to film music to Heavy Metal. Its prelude’s opening with the famous yearning “Tristan chord” is often cited as the birth of modern music, unleashing an unstoppable wellspring of musical possibility. He conveyed his musings on love, sex and death in intensely chromatic music of deferred resolution, conveyed in tidal waves of full-throated singing and lush orchestral sound. Wagner wrote Tristan und Isolde under the twin influences of the gloomy philosopher Arthur Schopenhauer and of Mathilde Wesendonck, his married lover - both of whom taught him a thing or two about unfulfilled longing. ![]() Soto, who is a longtime collaborator with Robert Wilson. ![]() Rounding out the creative team is costume designer Carlos J. “Opera is the field where all disciplines collide,” Winokur observes, “…and I want to smash these different methods of performance and expression together to produce a thing of power, meaning, matter and beauty.” The timeless set, designed by the cutting-edge architects Charlap Hyman & Herrero, serves as a canvas for a masterful play of light and shadow by lighting designer John Torres and projections designer Greg Emetaz. Debuting directors Zack Winokur and Lisenka Heijboer Castañón conjure a mesmerizing production of eloquent, elemental simplicity which emphasizes character, emotion and ideas. It will be presented in a new production opening on July 23, 2022. Tristan und Isolde will be a company premiere and the first piece by Richard Wagner to be seen on the Santa Fe Opera stage in over 30 years. James Gaffigan, who in 2018 conducted Ariadne auf Naxos at the Santa Fe Opera, will return to lead productions of Wagner’s Tristan und Isolde starring Tamara Wilson, Jamie Barton, Simon O’Neill, Nicholas Brownlee, Eric Owens and David Leigh. The 65th Festival Season of the Santa Fe Opera runs July 1 through August 27, 2022. The Santa Fe Opera Announces an Ambitious 2022 Season on Sale Now ![]()
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